Showing posts with label Ankara. Show all posts
Showing posts with label Ankara. Show all posts

CONCERT – ANKARA

Faculty of Letters
January 1963

Presidential Symphony Orchestra
Unknown conductor
Leyla Gencer soprano

Verdi Ecco l'orrido... Ma dall'arido stelo Un ballo in maschera
Verdi Morrò, ma prima in grazia Un ballo in maschera

 

CONCERT – ANKARA

Faculty of Languages, History and Geography
14 November 1959

Presidential Symphony Orchestra
Adolfo Camozzo conductor
Leyla Gencer soprano


Rossini Overture L’Italiana in Algeri
Donizetti Al dolce guida mi .... Anna Bolena
Verdi Ma dall’arido stelo divulsa Macbeth
Bizet L’Arlesienne Suite No.2
Verdi Nel di' della vittoria ..... Macbeth
Verdi D’amor sull’ali rosee .... Il Trovatore


CUMHURİYET DAILY NEWSPAPER                                                  
1959.11.07

AKİS WEEKLY MAGAZINE                                                 
1959.11.11

ZAFER DAILY NEWSPAPER                                                  
1959.11.14

MİLLİYET DAILY NEWSPAPER                                                  
1959.11.15

ZAFER DAILY NEWSPAPER                                                  
1959.11.15

CONCERT – ANKARA

State Opera and Ballet
03 November 1959
OPENING CONCERT OF 1959 – 1960 CONCERT SEASON

Presidential Symphony Orchestra
Adolfo Camozzo conductor
Leyla Gencer soprano

Rossini Overture L’Italiana in Algeri
Donizetti Al dolce guida mi .... Anna Bolena
Verdi Ma dall’arido stelo divulsa Macbeth
Bizet L’Arlesienne Suite No.2
Verdi Nel di' della vittoria ..... Macbeth
Verdi D’amor sull’ali rosee .... Il Trovatore
Verdi Overture I Vespri Sicilianni

 Recording date



HAKİMİYET DAILY NEWSPAPER                                                  
1959.11.03                                                            

ULUS DAILY NEWSPAPER                                                  
1959.11.04

ZAFER DAILY NEWSPAPER                                                  
1959.11.04

ZAFER DAILY NEWSPAPER                                                  
1959.11.06

VATAN DAILY NEWSPAPER                                                  
1959.11.08
AHMET EMİN YALMAN

Last Wednesday evening Leyla Gencer gave a concert in Ankara which was organized by the Ankara Philharmonic Foundation. And I was one of the people who galloped to the venue. I must frankly admit that I don’t know much about music. Nevertheless, I went there, not for the art but to express my respect towards an ambassador of ours who’s one of the most important representatives of Turkish art and culture that has won victories all over the world, for the sake of all Turks. She honourably represented and promoted our nation.
But very shortly after the concert began, I surprisedly noticed that the music appealed to me and carried me. I listened to each aria even with more enthusiasm. Instead of anxiously waiting for the concert to end as always, I said “Oh, how quickly it ended.”
I wouldn’t rather explain this difference within me as an awakening and improvement of my taste in art. Actually, our great artist has made a consistent progress since I listened to her many years ago at the French Embassy in Ankara. Whilst sharing her art with highly cultured European and American audience, she’s also received a lot in return. Not only the artistry of her voice has improved but her gestures have also become more relaxed, natural, harmonious, and charming. The mutual interest, understanding and love between the artist and the audience in her last concert grew so much that even an ignorant in music such as myself couldn’t help but share and enjoy its joy.
Who’s Leyla? Is she only an opera singer? No, Mrs. Leyla is one of the representatives of the Turkish ascent period, a pioneer and one of the most important art ambassadors who have been sent abroad. Countries are not conquered by using rifles and chains nowadays; but they are conquered by the power of a distinguished art that appeal to people’s hearts. New talents and artists from Turkey are appreciated and admired. Turkish art, that has been silent in the artistic area finally began to show its accomplishments to the world. Some people consider Adnan Saygun as one of the most important compositors of this era now. Pianist Idil Biret and violinist Suna Kan have already achieved international fame. And there are also more Turkish painters now that are appreciated and became known in the world.
Whilst all our art ambassadors go on improving their God given talents with endless efforts, they don’t ask for any financial support from us. They only expect a very humble award which is made of appreciation, understanding, and plainly avoiding acts that would complicate their mission and hurt their feelings.
Nevertheless, some institutions who are only determined to applicate constitutional requirements, have not acted this way and they neglected our expectations. They evaluated Leyla Gencer’s travels in Europe and America as a disadvantage in gaining reputation and honour for our country. They cut her salary, terminated her contract, pouted, and made trouble since she wasn’t present in Ankara to do her job. If the problem were about her salary; they could have cut it and let Leyla Gencer go but still, try to intend to keep a moral relationship between her and the Ankara Opera and thereby include our opera in her fame. As a matter of fact, unimaginable obstacles were created during her last concert. We wish that the administrators who are strictly attached to legal requirements would question their narrow minded and negative behaviours, share our mutual feelings of pride and join us in the “common admiration and interest towards Gencer”, that arose in her last concert.
There’s a cosmopolitan spirit in the international art world. Many artists acquire Italian names in order to become famous in an easier way. But Leyla Gencer is a person who’s proud of her Turkish identity so she insists on being presented and accepted as a Turkish artist and always puts national purposes before personal advantages.
Our esteemed artist performed at important theatres of Italy such as La Scala, S. Carlo, La Fenice and also in Vienna, Köln, Switzerland, Portugal, Yugoslavia, Poland and now in America, always maintaining her Turkish identity.
During an interview with a famous critic she had this dialogue:
 

“You are Italian, right?”
“No, I’m Turkish.”
“What? Turkish? You must be a Christian Turk I suppose.”
“No, I’m a Muslim Turk.”
“I wish you had told me this before I wrote about you. I used to have sympathetic feelings and admiration for you. Now, not anymore.”
And Gencer answered like this:
“I don’t need the sympathy of such a narrow-minded person.”

After giving her concert to youth on November 4th, 1959, and her concert in Istanbul, Leyla Gencer will go to Italy, Austria, India, and England for further concerts. More concert dates might be added to her schedule. We sincerely hope that she’ll gain more success and victories for the sake of the nation and everybody who created obstacles and complications for her in the past will join us. Whether if there are still people with negative feelings towards her, Leyla Gencer should ignore them and concentrate only on the public’s appreciation. And she should keep on believing that the Turkish people are proud of her and are ready to pay the moral price that she’s earned. 

CONCERT – ANKARA

State Opera and Ballet
23 April 1957

Presidential Symphony Orchestra
Ferid Alnar conductor
Leyla Gencer soprano *

Tchaikovsky Symphony No.6, op.74
Mozart Porgi amor Le Nozze di Figaro *
Verdi O cieli azzurri Aida *
Verdi Pace, pace mio dio La forza del destino *
Wagner Rienzi Overture

AKİS WEEKLY MAGAZINE                                                  

1957.05.04

CONCERT - ANKARA

State Conservatoire
21, 22 December 1954
Women in Verdi Operas

A Conference & Concert organised by Italian Cultural Institute
Conference presented by Prof. Cesare Valabrega piano

Azucena IL TROVATORE Saadet İkesus Altan mezzo-soprano

Violetta LA TRAVIATA Muazzez Gökmen soprano
Aida AIDA Leyla Gencer soprano
Amelia UN BALLO IN MASCHERA Leyla Gencer soprano
Leonora LA FORZA DEL DESTINO Leyla Gencer soprano
Nanetta FALSTAFF Muazzez Gökmen soprano
Desdeomona OTELLO Muzazez Gökmen soprano

AKİS WEEKLY MAGAZINE

1954.12.28                      

RECITAL – ANKARA

Çankaya Köşkü / Presidential Residance 
16 April 1954  
Recital for the honour of Yugoslavian President Tito

Leyla Gencer soprano
Nusret Kayar violoncello 
Mithat Fenmen piano
 
Arias from Ahmed Adnan Saygun's opera Kerem ile Aslı


MİLLİYET DAILY NEWSPAPER                                                
1954.04.15                                                                               


VATAN DAILY NEWSPAPER                                                
1954.04.15                             


Recording Excerpts                     
You can see Gencer at the reception briefly from 01.00' together with President Tito and President Bayar.

CONCERT – ANKARA

State Opera and Ballet
06 November 1954
Leyla Gencer soprano
Ayhan Baran bass
Nusret Kayar violincello

Mithat Fenmen piano
George Reinwald & Mithat Fenmen pianos

Chopin Piano pieces
Ravel Habanera for cello
Gounod Ah! Je ris de me voir si belle Faust 
Arias from Verdi

AKİS WEEKLY MAGAZINE                                                  
1954.11.06

AKİS WEEKLY MAGAZINE                                                  
1954.11.13

STATE THEATER MAGAZINE                                                  
1954 December 
RECITAL – ANKARA
Italian Embassy
13 November 1953
Ergican Saydam piano

Unknown programme 



CUMHURİYET DAILY NEWSPAPER                                             
1989.12.31

RECITAL – ANKARA

Unknown Venue
23 April 1953
Ankara Philharmonic Guild

Leyla Gencer soprano
Ferid Alnar piano
 
Unknown programme 


RECITAL – ANKARA

French Embassy
20 May 1953
Concert for the honour of French Foreign Secretary Georges Bidault

Leyla Gencer soprano

Ergican Saydam piano
 
Verdi Addio del passato La Traviata
Verdi Ah forse e lui La Traviata
Gounod Ah! Je ris de me voir si belle
Faust

Ἠλέκτρα / Electra [Elektra]

Sophocles (497/496 – 406/405)
Ancient Greek Tragedy written between the years of 420 BC and 414 BC
11 October 1952 (10 Performances)
Ankara State Theaters

Arnulf Schröder stage director
Saadet İkesus Altan assistant director
Turgut Okutman assistant director
Turgut Zaim scene and costumes
 
Afif Obay translator
Alberto Milano stage manager
Nuri Özakyol lighting design
Rauf Erbay
 
Robert Tants music 
Hans Hörner conductor
 
Electra: Ayşe Muazzez Lutas Kurtoğlu
Orest: Nuri Altınok / Ümran Uzman
Aigish: Ahmet Evintan / Coşkun Orhon
Phylades: Oğuz Bora
Klytainanestra: Semiha Berksoy / Meliha Ars
Chrysotemis: Handan Uran Ertuğrul / Serap Sezer

Women’s Choir:
Begüm Aksu, Behire Özozan, Handan Pars, Hasbiye Arslan, Hikmet Gündoğdu, Leyla GencerMacide Birmeç, Neriman San, Saime Kentmen, Şadan Candar, Türkan Kutnay, Yıldız Ar.
 
Place: Mycenae

Cast details are from the following link:


A SIGNED PHOTO OF ACTRESS SEMİHA BERKSOY, 1950 ANKARA

Asil sesli Leylacığım… Beni unutma! Kardeşin Semiha Berksoy.
My noble-voiced Leyla… Don’t forget me! Your sister Semiha Berksoy

STATE THEATER MAGAZINE

1952.10.01

STATE THEATER MAGAZINE

1952.11.01