MADAMA BUTTERFLY

Giacomo Puccini (1858 - 1924)
Opera in three acts in Italian
Libretto: Giacosa and Illica
Premièr at Teatro alla Scala, Milan – 17 February 1904
10, 12 November 1960
State Fair Music Hall 
Civic Opera, Dallas

Conductor: Nino Sanzogno
Chorus master: Roberto Benaglio
Stage director: Hizi Koyke
Scene: Trew Hocker
Costumes: Yugi Ito


Cio-Cio-San, Madam Butterfly LEYLA GENCER soprano
Suzuki, her servant REGINA SARFATY mezzo-soprano 
Kate Pinkerton, Pinkerton’s American Wife n/a mezzo-soprano
B.F. Pinkerton, Lieutenant in US Navy GIANNI RAIMONDI tenor
Sharpless, US Consul at Nagasaki MANUEL AUSENSI baritone
Goro, a marriage broker MARIO PALERMO tenor
Prince Yamadori, a rich Japanese ROBERT FALK baritone
The Bonze, Cio-Cio-San’s uncle n/a bass
The Imperial Commissioner n/a bass
The Official Registrar n/a baritone

Time: Early Twentieth Century
Place: Nagasaki


THE MEXIA DAILY NEWS                                   
1960.08.03

THE IRVING NEWS RECORD                                      
1960.08.04

DENTON RECORD CHRONICLE                                    
1960.08.07

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1960.08.07

THE WACO TIMES HERALD                                     
1960.08.08

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1960.08.18

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1960.08.25

DALLAS MAGAZINE                                       
1960 September

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1960.09.04

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1960.09.06

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1960.09.06

THE JEANERETTE ENTERPRISE                               
1960.09.08

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1960.09.09

LANSING STATE JOURNAL                                         
1960.09.11

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1960.09.13

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1960 October

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1960.10.03

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1960.10.04

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1960.10.08

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1960.10.09

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1960.10.09

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1960.10.09

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1960.10.09

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1960.10.12

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1960.10.13

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1960.10.13

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1960.10.13

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1960.10.23

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1960.10.23

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1960 November

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1960.11.02

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1960.11.04

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1960.11.06

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1960.11.06

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1960.11.06

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1960.11.07

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1960.11.07

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1960.11.10

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1960.11.11

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1960.11.11

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1960.11.19

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1960.12.31

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1961 January

THEATRE ARTS Vol.45 Issue. 1                                      
1961 January

OPERA MAGAZINE                                         
1961 February

OPERA MAGAZINE                                         
1965 Fabruary

Dallas. The pearly loveliness of sound and affectingly restrained acting of the young Italian soprano Lydia Marimpietri accounted for much of the poignant distinction achieved by the opening production of the Dallas Civic Opera, Madama Butterfly. A revival of its 1960 production, this was infinitely superior to its predecessor, which also utilized the artfully underplayed production by Hizi Koyke, airily realistic sets by the late Trew Hocker (only casually 'adjusted' this time) and the loving support from Nicola Rescigno and the Dallas Symphony Orchestra, who only occasionally loosed a Wagnerian blare to unsettle the abiding lyrical fervour of Puccini's score. The difference, of course, was Miss Marimpietri, who more than rectified the colossal casting error of the 1960 staging with Leyla Gencer and who left no doubt that her first Cio-Cio-San on any opera stage is a distinguished characterization which should blossom into a really great one. To see and hear her, one was reminded of both a young and warmer-voiced Licia Albanese and the more reposeful looks of Anna Magnani. Small wonder that capacity audiences on November 13, 15 (student matinee) and 20 (the performance we attended) were enraptured.