LA TRAVIATA

Giuseppe Verdi (1813 - 1901)
Opera in three acts in Italian
Libretto: Francesco Maria Piave after Alexander Duma’s play La Dame aux Camélias
Premièr at Teatro la Fenice, Venice – 6 March 1853
07, 09 August 1964
Teatro Municipal, Rio de Janeiro

II. FESTIVAL INTERNACIONAL DO MUSICA E DANÇA 

Conductor: Nicola Rescigno
Chorus master: Norberto Mola
Stage director: Carlo Maestrini
Scene: Mario Conde
Choreography: Dennis Gray

Alfredo Germont lover of Violetta FLAVIANO LABO tenor
Giorgio Germont his father PIERO CAPPUCILLI baritone
Gastone de Letorieres a young man about town NINO CRIMI tenor
Baron Douphol a rival of Alfredo ANTONIO LEMBO baritone
Marchese d’Obigny AMILTON MOREIRA bass
Dr. Grenvil n/a bass
Giuseppe servant to Violetta ERALDO DE MARCO tenor
Flora’s servant ERALDO DE MARCO tenor
Violetta Valery a courtesan LEYLA GENCER soprano
Flora Bervoix her friend ANA MARIA MARTINS mezzo-soprano
Annina Violetta’s confident and maid CARMEN PIMENTEL soprano
Un commissionario SERGIO NAPOLI
Un massaggero VLADIMIR DE KANEL

Time: 1850
Place: Paris and vicinity

 Recording date

Note: Leyla Gencer signed a contract for five performances for Otello to sing with Mario Del Monaco in the title role. But the production cancelled due to Del Monaco’s illness. As Gencer had a contract with the company Otello replaced with La Traviata (2 performances) and Verdi Requiem (2 performances).

LEYLA GENCER’S LA TRAVIATA SCORES

SIGHTSEEING IN RIO

1964 AUGUST

DAIRIO DE NOTICIAS                                                  
1964.04.18

DAIRIO DE NOTICIAS                                                      
1964.05.03

TRIBUNA                                              
1964.06.04

TRIBUNA                                             
1964.06.11

O JORNAL                                        
1964.06.13

DAIRIO DE NOTICIAS                                                   
1964.06.16

DAIRIO DE NOTICIAS                                               
1964.06.19

DAIRIO DE NOTICIAS                                                  
1964.06.27

CORREIRO DA MANHA                                                  
1964.08.02

JORNAL DO BRASIL                                      
1964.08.02

JORNAL DO COMMERCIO                               
1964.08.02

DAIRIO DE NOTICIAS                               
1964.08.02

DAIRIO DE NOTICIAS                               
1964.08.04

DAIRIO DE NOTICIAS                               
1964.08.04

JORNAL DO BRASIL                                  
1964.08.04

O JORNAL                          
1964.08.04

DAIRIO DE NOTICIAS                             
1964.08.05

DAIRIO DE NOTICIAS                                
1964.08.05

JORNAL DO BRASIL                                   
1964.08.05

JORNAL DO BRASIL                                   
1964.08.06

A NOITE                                   
1964.08.07

JORNAL DO BRASIL                                  
1964.08.07

CORREIRO DA MANHA                                                  
1964.08.09

DAIRIO DE NOTICIAS                                 
1964.08.09

JORNAL DO BRASIL                                 
1964.08.09

O JORNAL                                    
1964.08.09

JORNAL DO BRASIL                                   
1964.08.11

JORNAL DO COMMERCIO                                   
1964.08.12

DIARIO CARIOCA                                  
1964.08.22


DIARIO CARIOCA                                   
1964.08.26

DAIRIO DE NOTICIAS                                  
1964.09.14

OPERA NEWS                                                  
1964 October

Rio de Janeiro. La Traviata. on August 7, came near to disaster. Leyla Gencer's debut as Violetta could hardly have been more unfortunate, and she was unwise to sing immediately after her appearances in Norma and Simone Boccanegra in Buenos Aires. The voice sounded particularly heavy and tired at the top, her breath control was virtually non-existent and her breathing so loud that it became part of the music. The first act was so bad that the audience voiced their displeasure; but she improved after the coloratura passages were over and ended by giving a passable performance. She overdoes her pianissimo. however, and not always to good effect. The two Germonts were sung in truly Verdian fashion by Labo and Cappuccilli, both in fine form, with a masterful command of voice and style. Nicola Rescigno conducted with plenty of feeling and attack, but Maestrini's production was poor and routine.

DAIRIO DE NOTICIAS                                   
1964.12.13

CORREIRO DA MANHA                                                  
1964.12.27

JORNAL DO BRASIL                                           
1971.08.11

TEATRO MUNICIPAL (Facebook)                                                  
2020.05.01

HIGHLIGHTS                     
1964.08.07

Recording Excerpts [1964.08.07]                 
Madamigela Valery.. Son io. Act II Scene V
Amami Alfredo.... Act II Scene VI
Addio del passato... Act III Scene IV