LA TRAVIATA
Giuseppe Verdi (1813 - 1901)
Libretto: Francesco Maria Piave after Alexander Duma’s play La Dame aux Camélias
Premièr at Teatro la Fenice, Venice – 6 March 1853
16 February 1955 (4 Performances)
Teatro Massimo, Palermo
Conductor: Tullio
Serafin
Chorus master: n/a
Stage director: Ado Mirabella Vassallo
Scene and costumes: Veniero Colasanti
Choreography: Franca Bartolomei
Alfredo Germont lover of Violetta LUIGI INFANTINO tenor
Giorgio Germont his father ENZO MASCHERINI baritone
Gastone de Letorieres a young man about town LUCIANO DELLA PERGOLA tenor
Baron Douphol a rival of Alfredo GUGLIELMO FERRARA baritone
Marchese d’Obigny LEONARDO MORREALE bass
Dr. Grenvil CAMILLO RIGHINI bass
Giuseppe servant to Violetta GAETANO CRINZI tenor
Violetta Valery a courtesan LEYLA GENCER soprano
Flora Bervoix her friend ANGELA VERCELLI mezzo-soprano
Annina Violetta’s confident and maid MARIA CANNIZZARO soprano
Chorus master: n/a
Stage director: Ado Mirabella Vassallo
Scene and costumes: Veniero Colasanti
Choreography: Franca Bartolomei
Alfredo Germont lover of Violetta LUIGI INFANTINO tenor
Giorgio Germont his father ENZO MASCHERINI baritone
Gastone de Letorieres a young man about town LUCIANO DELLA PERGOLA tenor
Baron Douphol a rival of Alfredo GUGLIELMO FERRARA baritone
Marchese d’Obigny LEONARDO MORREALE bass
Dr. Grenvil CAMILLO RIGHINI bass
Giuseppe servant to Violetta GAETANO CRINZI tenor
Violetta Valery a courtesan LEYLA GENCER soprano
Flora Bervoix her friend ANGELA VERCELLI mezzo-soprano
Annina Violetta’s confident and maid MARIA CANNIZZARO soprano
Time: 1850
Place: Paris and vicinityPhotos © FOTO LILLO, Palermo
Photos © LABRUZZO FOTO AGENZIA, Palermo

























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With Tullio Serafin, conductor |
IN A RECEPTION
1955 FEBRUARY

IN A RECEPTION
1955 FEBRUARY
1955.03.05
IL MATTINO
1955 May
One of the biggest and enjoyable thrills that can be offered to opera fans is to introduce them an unknown artist. This time we experienced such thrill thanks to Leyla Gencer who sang “La Traviata” and of whom we had never heard of before. Gencer amazed the public with her warm and agile voice, her rapturous and dedicated interpretation and her intense way of singing which fully respects the music. The public was enchanted from head to toe and greeted her with a storm of applause after her execution of the famous aria “Amami Alfredo”.
OPERA MAGAZINE
1955 May
IL GIORNALE
1955.07.13
The young Turkish soprano Leyla Gencer has an outstanding voice and a very powerful breathing technique. She interpreted La Traviata perfectly in accordance with Italian tradition.
IL PICCOLO
1955.07.13
G. DEL BASSO
Leyla Gencer often
excels herself and her voice comes to a level which many “singing artists”
can’t reach. With the deep, shadowy and soft frequencies of her voice, she
definitely “sings”. Her inexplicable and indescribable ascents and descents of
the voice excite the public immensely. Leyla Gencer’s voice and personality
reach the public within deep emotionality and yet she never sounds artificial.
The sympathy that she receives from the public is undeniable. Leyla Gencer is a
unique, extraordinary personality of the opera world.
SICILIA DEL POPOLO
1955.07.13